Kim Schoenstadt

Kim Schoenstadt http://kimschoenstadt.com/ Kim Schoenstadt website en Copyright 2010, Kim Schoenstadt Mon, 6 Sep 2010 20:31:01 -0400 Painted Over/Under: First cycle of the project. <img border="0" src="http://kimschoenstadt.com/static/dyn-images/36/36350.jpeg" alt="First installation by Vanessa Place" height="375" width="500" /> 2010 http://kimschoenstadt.com/work/view/1579/9388 News: Painted Over/Under Parts 1-4 2010-2011 Here is a brief description of the project from LACE's Press release... Kim Schoenstadt’s Painted Over/Under Parts 1-4 is a year-long project based on the mismatched color patterning created by the “graffiti maintenance” on freeway retaining walls and other open walls in the city. Parts 1-3 will incorporate guest curators, Les Figues Press, Jens Hoffman and Erin Cullerton who will invite writers, artists and architects to create drawings in shifts on the walls in LACE’s rear gallery. With each part of the project works will be written and/or drawn onto the walls, then painted over with Schoenstadt’s color palette, creating a layered, abstracted painting defined by the shapes of past projects, offering a new starting point for the next group, and so on. Schoenstadt will apply portions of a large wall drawing with tape prior to each “painting out” preserving the work below. Part 4 will reveal the complete drawing constructed out of fragments from history of the project. http://kimschoenstadt.com/news/view/1403 News: Matrix project at the Wadsworth Atheneum 2010 A bit about the Matrix exhibition from the Wadsworth Atheneum website: Since its founding in 1844, the Wadsworth Atheneum has presented the artists of its own time, from Thomas Cole and Frederic Church to Salvador Dalí, Piet Mondrian, Andy Warhol and Sol LeWitt. The museums renowned MATRIX program is a continuation of this artistic tradition and provides a forum for art that is challenging, current and sometimes controversial. Through clear explanation and thoughtful engagement with the viewer, MATRIX exhibitions call into question preconceptions about art and increase understanding of its possibilities. The first of its kind, MATRIX has since inspired more than fifty programs across the country, including: the MATRIX Program at the UC Berkeley Art Museum; Gallery One at the Corcoran Gallery of Art; Investigations at the Institute of Contemporary Art, University of Pennsylvania; Options at the Museum of Contemporary Art, Chicago; Centric at the University Art Museum, California State University, Long Beach; Art at the Edge at the High Museum of Art, Atlanta; and Directions at the Hirshhorn Museum and Sculpture Garden, Washington, DC. HISTORY MATRIX was first conceived of by James Elliott, director of the Atheneum from 1966 to 1976, as a program that would provide a greater public understanding of contemporary art through frequently changing, small-scale exhibitions, lectures, publications, gallery talks, and performance events. Sculptor Tony Smith suggested the name MATRIX, “with an emphasis on the definition of it as a space within which something else originates or develops.” Andrea Miller-Keller became the first MATRIX Gallery coordinator and would continue in that role as the Emily Hall Tremaine Curator of Contemporary Art until 1998. Nicholas Baume headed the program as Curator from 1998 to 2003, followed by Joanna Marsh who served as Acting Curator and Associate Curator of Contemporary Art from 2003 until 2007. Curator Patricia Hickson leads the program today. Since its first exhibition in January 1975, MATRIX has shown more than one thousand works of art by more than 150 artists. For many distinguished artists, including Richard Tuttle, Neil Jenney, Jonathan Borofsky, Daniel Buren, Sylvia Plimack Mangold, Nancy Spero, Louise Lawler, Barbara Kruger, Gerhard Richter, Lorna Simpson, Carrie Mae Weems, and Glenn Ligon, their MATRIX show at the Wadsworth Atheneum was their first one-person museum exhibition in the United States. Half of the artists have been in their thirties or younger, and more than one-third did not have an affiliation with a commercial gallery at the time of their MATRIX experience. Frequently, the MATRIX program has invited the participation of guest curators such as Edward Albee, Lawrence Alloway, Michael Auping, Richard Field, Constance Lewallen, John Paoletti, Carter Ratcliff, Judith Rohrer, Mark Rosenthal, and Samuel Wagstaff, Jr. MATRIX lectures emphasize the artists’ development, and focus on works presented in the gallery. Some of the most popular lectures – each having drawn a crowd of more than 300 people – include talks by Jennifer Bartlett, Duane Michaels, Carl Andre, Christo, Soviet artists Vitali Komar and Aleksandr Melamid (their first public appearances), Cindy Sherman, Robert Mapplethorpe, William Wegman, and the Guerilla Girls. MATRIX “artist sheets,” explanatory publications written to be accessible to the general public, outline the aesthetic, historical, and critical issues raised by each exhibition, and are often based on interviews with the artists. http://kimschoenstadt.com/news/view/1404 News: Upcoming Exhibitions 2010 A bit about the Matrix exhibition from the Wadsworth Atheneum website: Since its founding in 1844, the Wadsworth Atheneum has presented the artists of its own time, from Thomas Cole and Frederic Church to Salvador Dalí, Piet Mondrian, Andy Warhol and Sol LeWitt. The museums renowned MATRIX program is a continuation of this artistic tradition and provides a forum for art that is challenging, current and sometimes controversial. Through clear explanation and thoughtful engagement with the viewer, MATRIX exhibitions call into question preconceptions about art and increase understanding of its possibilities. The first of its kind, MATRIX has since inspired more than fifty programs across the country, including: the MATRIX Program at the UC Berkeley Art Museum; Gallery One at the Corcoran Gallery of Art; Investigations at the Institute of Contemporary Art, University of Pennsylvania; Options at the Museum of Contemporary Art, Chicago; Centric at the University Art Museum, California State University, Long Beach; Art at the Edge at the High Museum of Art, Atlanta; and Directions at the Hirshhorn Museum and Sculpture Garden, Washington, DC. HISTORY MATRIX was first conceived of by James Elliott, director of the Atheneum from 1966 to 1976, as a program that would provide a greater public understanding of contemporary art through frequently changing, small-scale exhibitions, lectures, publications, gallery talks, and performance events. Sculptor Tony Smith suggested the name MATRIX, “with an emphasis on the definition of it as a space within which something else originates or develops.” Andrea Miller-Keller became the first MATRIX Gallery coordinator and would continue in that role as the Emily Hall Tremaine Curator of Contemporary Art until 1998. Nicholas Baume headed the program as Curator from 1998 to 2003, followed by Joanna Marsh who served as Acting Curator and Associate Curator of Contemporary Art from 2003 until 2007. Curator Patricia Hickson leads the program today. Since its first exhibition in January 1975, MATRIX has shown more than one thousand works of art by more than 150 artists. For many distinguished artists, including Richard Tuttle, Neil Jenney, Jonathan Borofsky, Daniel Buren, Sylvia Plimack Mangold, Nancy Spero, Louise Lawler, Barbara Kruger, Gerhard Richter, Lorna Simpson, Carrie Mae Weems, and Glenn Ligon, their MATRIX show at the Wadsworth Atheneum was their first one-person museum exhibition in the United States. Half of the artists have been in their thirties or younger, and more than one-third did not have an affiliation with a commercial gallery at the time of their MATRIX experience. Frequently, the MATRIX program has invited the participation of guest curators such as Edward Albee, Lawrence Alloway, Michael Auping, Richard Field, Constance Lewallen, John Paoletti, Carter Ratcliff, Judith Rohrer, Mark Rosenthal, and Samuel Wagstaff, Jr. MATRIX lectures emphasize the artists’ development, and focus on works presented in the gallery. Some of the most popular lectures – each having drawn a crowd of more than 300 people – include talks by Jennifer Bartlett, Duane Michaels, Carl Andre, Christo, Soviet artists Vitali Komar and Aleksandr Melamid (their first public appearances), Cindy Sherman, Robert Mapplethorpe, William Wegman, and the Guerilla Girls. MATRIX “artist sheets,” explanatory publications written to be accessible to the general public, outline the aesthetic, historical, and critical issues raised by each exhibition, and are often based on interviews with the artists. http://kimschoenstadt.com/news/view/1081 News: Hyperdrawing: Beyond the Lines of Contemporary Art 2010 Hyperdrawing: Beyond the Lines of Contemporary Art Produced by TRACEY, an electronic journal for contemporary drawing research hosted by Loughborough University in the UK. To be published in 2010 with I. B. Tauris. A book that considers aspects of drawing that exceed predictable expectations of what drawing might be - conceptually, visually and as importantly technologically. The book aims to test the boundaries of drawing practice by asking questions and presenting examples, which challenge conventions. This would include the use of drawing incorporating creative digital technologies. http://kimschoenstadt.com/news/view/1379